Celebrating Workers in Belgrade’s Public Art

As Serbia and Yugoslavia moved towards a more industrial economy in 1930s and 40s the industrial workers, who had a rough time during the capitalist monarchy in Yugoslavia, started being celebrated in its arts. Although celebration of the life workers was most famously depicted by artists with socialist sensibilities such as Đorđe Andrejević Kun, whose album of prints Bloody Gold, depicted rapacious capitalism, idealised workers … Continue reading Celebrating Workers in Belgrade’s Public Art