„What is there to like? It is just rich people talking about their lives.“The guy I was speaking to did not like La Grande Bellezza and could not understand why I was so obsessed with it. I am not sure how I answered, and if I did at all, but in the coming years, since that night in 2015, the global film industry moved more … Continue reading The new humanism of Ostlund, White and Sorrentino
How a trad Christian pop folk singer became the most controversial person in ex-Yugoslavia When you listen to Danica Crnogorčević’s music, you will be instantly amazed by her voice. Wonderfully colourful and powerful, she comes across as a Montenegrin Enya, and in a lot of ways the two share a lot in common. Like Enya, she cuts an almost impossibly wholesome figure: a church-going (her … Continue reading Danica Crnogorčević: the trad villainess of the Balkan Arts scene
In the library of my grandmother’s salon in Avalska, between the many Marxist and Yugoslav communist tomes, stood a hard bound copy of „Civilisation“ by Kenneth Clark, published by Mladost from Zagreb in 1972. The fact that this book, a seductive (and often derided) statmeet of Western cultural supremacy, was translated into Serbo-Croatian and published in a socialist only three years after it appeared in … Continue reading The fall of Yugoslav civilisation: Doomers at the gates
It rarely happens that I am transfixed by art, however almost two decades ago, I could not stop staring at very haunting painting of Santa Clause on a morgue table, and portraits of children, blankly looking at me while sitting uncomfortably, scantily clad, in a slaughterhouse-like setting. I was in one of the public art galleries in Central Belgrade, which, as galleries around the world … Continue reading Pedo-Satanist elites and all that: How to make it as an Eastern European creative?
Some time ago, overcome by a listicle-making urge, I considered putting together a playlist of highly orientalist Yugoslav songs with entries such as Bebi Dol’s Mustafa and Brekvica’s “Loša”. While trawling though YouTube I realised the absurdity at the heart of the endeavour: much of our pop music is “oriental” in the sense that it was influenced by Turkish (or wider Silk road) rhythms and … Continue reading Non-Western Balkans: an identity struggle
As a twenty-something third year student at Belgrade’s art Academy in 1960s, Slobodan Kojić dreamt big. A Kikinda native, he envisaged creating an art colony which would make use of his native city’s clay pits – which powered the city’s brick and roof tile industry – so artists could create majestic, grandiose works of terracotta. The use or clay in the arts in what is … Continue reading Terra, Kikinda: How a local artist used home turf to create a world’s best terracotta art collection
Reading Camille Paglia’s essays in “Sex, Art and American Culture”, I came across a book that very much appealed to me, especially given that I only became passionate about going to the gym on the cusp of my 30s. She gave it the highest praise, in her own characteristic way: “Muscle, sympathetically read as an archetypal hero saga of embattled masculinity, exposes the parochialism, preachiness, … Continue reading The Consolation of Hypertrophy: Samuel Fussell’s “Muscle: Confessions of the unlikely bodybuilder” by Samuel Wilson Fussell
Ever since MTV started airing non-stop music videos in 1980s, Yugoslav pop stars were keen to embrace the style and creativity of the medium. From the get go there were many creative attempts with the format from very arty and conceptual videos of VIS Idoli to sexy high production videos to Lepa Brena’s songs. Slovenian controversial art-band Laibach’s video for Life is Life even managed … Continue reading Dejan Milićević: King of Yugoslav 90s Camp and Colour
Imagine a state where the government works hard not only to build crucial infrastructure projects but to elevate the tastes of the people through lavish funding of the arts and protects them from contemporary kitsch. A country where every larger town would have an opera and which would invest in making its citizens healthy and joyful through various initiatives. A country led by a ruler … Continue reading Art though Politics: “Hitler and the power of Aesthetics”, Frederic Spotts
Ever since the world was sufficiently globalised to allow for a common cultural language of admiration for technology and industry in mid-19th century, there have been expositions which allowed every country to show their might, progress and peculiarity on the world stage. It all started with the Great Exhibition in the Crystal Palace of 1851, inside the Hyde Park, which dazzled the inhabitants of the … Continue reading Serbia and Yugoslavia at the World Fairs (1): 1885-1939
!Spoilers ahead! It was my Dad who got me into Sex and City. As it started airing on B92, the purveyor off all things Western in the early 2000s, post-Milosević Serbia, my Dad lauded it as an instruction manual of not only the sexual and social mores of the day in the West, whereas I, just entering my teenage years, liked the title. Needless to … Continue reading Gradually, then suddenly: “And just like that…” review
Pre par meseci sam bio deo grupe sa pametnijim, finijim i pristojnim ljudima od mene, i jedan od naših zadataka je bio da zamilsimo idelanu budućnost Srbije, u kojoj je ona oslobođena bilo kakvih stega, što unutrašnjih, što spoljašnjih. U tom, nažalost ne preterano izglednom, scenariju vrlo nalik na onaj opevan u Lenonovom Imagine, je bilo sve moguće: svetske sile su se dogovorile da puste … Continue reading Lust for lustracija
“The only way for us to become great, or even inimitable if possible, is to imitate the ancients.” Johann Joachim Winckelmann “As is the case with the weather: rain and storms from the West reached us and so did Postmodernism. At the very beginning of Postmodernism, a great conference was held in Zagreb on that topic, which identified vectors and positive values of the movement … Continue reading Belgrade Post-Modern: Ruins at the End of History
In this year of many big anniversaries – 80 years since the beginning of WWII in Serbia, 60 years since Ivo Andrić received the Nobel Prize for „The Bridge over the Drina“ – there is a strange silence about one of the most interesting event in Serbian culture which now celebrates its 50th anniversary: the 1971 Congress of Cultural Action n Kragujevac. The Congress … Continue reading Culture War, Yugoslav style: Remembering 1971 Congress of Cultural Action
Just as I was modishly repeating Red Scare-induced pieties that truly great pop culture is dead, the White Lotus hit HBO. Nuanced and openhearted as truly great satire should be, it brought back hope that there can be incisive social commentary that does not want to be didactic, but leaves the viewer to assess and re-assess their views of class and personal relationships. This of … Continue reading Darkness of “Enlightened”
“Osmi kilometar” je postavka koja predstavlja Srbiju na ovogodišnjem Bijelanu Arhitekture u Veneciji, i koja se bavi jedinstvenim nasleđem grada Bora, ali i izazovima sa kojima se on susreće. Autori postavke su Moderni u Beogradu, grupa arhitekata entuzijastičnih da predstave naše modernističko nasleđe, i sa Snežanom Zlatković i Daliom Dukanac sam razgovarao o Boru, Veneciji, ulogom i promocijom arhitekture i zašto entuzijazam ima limite. Podržite … Continue reading Bor u Veneciji, Moderni u Beogradu
One of the most commonly heard, yet, as it often happens, misattributed, Churchill quotes about the Balkans is that its nations „produce more history than they can consume“, always irritated me for both of its condescending and exoticizing attitude. What is that makes Balkan history so indigestible? Isn’t it the case that it is hardly only the Balkan people’s who shaped this region’s history (and … Continue reading RETVRN: Remembering the Serbian Middle Ages
Although the now globally ubiquitous charges of “cultural appropriation”, have been a staple of inter-ethnic relations in the Balkans since times immemorial (especially when nations insist on their protochronism), they have never stopped the willingness of local musicians to draw from foreign music to create local hits which became treated as local folk songs. This phenomenon was best described in a 2003 Bulgarian documentary, “Whose … Continue reading They don’t (re)make them like they used to: Yugoslav covers of foreign hits through the ages
I first listened to Lana while I was on a gap year, back home in Belgrade, after my studies in the UK. She was an obvious fit as I always liked over the top imagery and rich orchestration in pop (I am a die-hard Belle and Sebastian and Vampire Weekend fan), but what resonated was the honey dipped sense of gloom. „Born to die“ was … Continue reading Chemtrails, Country Clubs
The past two centuries of Serbian and Yugoslav national movements might have produced a lot of pain and suffering, but they also did create some cool music. Here are my favourite official and unofficial anthems of Serbia and Yugoslavia, which can still bring a tear to my eye. 9. Zemljo moja (To my country) – Ambasadori, 1975 Apparently one of Tito‘s favourite songs, “Zemljo moja” … Continue reading We love you, our Fatherland: Yugoslav and Serbian Popular and Official Anthems
