As a twenty-something third year student at Belgrade’s art Academy in 1960s, Slobodan Kojić dreamt big. A Kikinda native, he envisaged creating an art colony which would make use of his native city’s clay pits – which powered the city’s brick and roof tile industry – so artists could create majestic, grandiose works of terracotta. The use or clay in the arts in what is … Continue reading Terra, Kikinda: How a local artist used home turf to create a world’s best terracotta art collection