I often criticise Serbian and regional movie production for being excessively focused on “for export” films, which do not seek to portray any real stories, but just fit into the cottage industries of war-time trauma, Eastern European miserabilism or “political commentary”. Still I found myself greatly enjoying two very explicitly Yugoslav/Serbian “for export” films, which, however did not seek any prestige on festival circuits but … Continue reading Cognac (1988) and Born to be a warrior (1994): Yugoslavia through a “for export” lens